Inside the Recording Studio
  • Tuesday Tips
  • About Us
  • Giveaway
  • Review
  • Contact
  • Shop
  • My account
  • November 28, 2025
    Reverb

    Reverb Explained: The Hidden Architecture Behind Every Great Mix



    Reverb isn’t just an effect, it’s the invisible architecture of every mix. In this episode of Inside the Recording Studio, Chris & Jody step through the misty doorway where reflections, decay, and space become instruments of their own.

    Whether you’re mixing in a compact bedroom rig or a sprawling commercial facility, reverb shapes how listeners feelyour music long before they consciously hear it. And today, the guys take you far beyond the “insert plugin → turn knob” approach. They explore reverb as texture, story, emotion, and as one of the most important creative tools available to any producer.

    They kick things off with the math behind ambience: how pre-delay carves space between consonants, how decay time sketches the size of a hall, and how simple millisecond calculations create depth that even expensive hardware can’t fake. They break down why springs twang, why plates shimmer, and how digital tails can stretch into gorgeous infinity, even in a modest home studio gear setup.

    But theory is only half the fun. Chris & Jody dive into the moments where reverb transformed a track:
    – A snare hit turned into a swelling pad
    – A vocal wrapped in an ethereal halo
    – A guitar that dissolved into cascading shimmer
    – A room reverb that glued an entire mix together
    They even reveal the handful of go-to reverbs that never fail them, plus the oddballs that inspire unexpected ideas. If you’re looking for recording setup tips, subtle mix moves, or even “try this and break the rules” techniques, this episode hits all the marks.

    Of course, it wouldn’t be an Inside the Recording Studio episode without humor, side quests, and a few baffling tangents. Between reflections and decay tails, Chris & Jody squeeze in this week’s Friday Finds, uncovering everything from quirky stompboxes to software that solves those “why is my audio interface doing that?” mysteries. Yes, there’s even a shoutout to audio interface troubleshooting and the eternal struggle to keep your gear clean (and knowing when not to use Windex on your rack units).

    By the end, you won’t just understand reverb better, you’ll hear your mixes differently. You’ll recognize how space guides emotion, how ambience inspires performance, and how reverb becomes the connective tissue that defines a song’s world.

    Reverb isn’t noise bouncing around a room. It’s the air between moments, the breath of the mix. And in this episode, Chris & Jody show you how to shape that air with confidence, intention, and just enough mischief to keep the creative spark alive.

    ******************************

    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

    ******************************

    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com


  • November 21, 2025
    Workflow

    How to Build a Rock-Solid Backup Workflow for Your DAW (Without Going Crazy)



    Let’s be honest: the art of doing a backup is about as exciting as dusting your studio monitors or alphabetizing cables. But nothing will make you scream into the void faster than losing a session you swear you saved. In this episode of Inside the Recording Studio, Chris & Jody grab you by the shoulders and lovingly scream, “BACK UP YOUR STUFF!”

    They dive into backup options from “cheap but risky” to “Fort Knox for audio nerds.” Drives, RAIDs, clouds, offsite bunkers—okay, maybe not bunkers, but close. You’ll hear their own cautionary tales, including technical ghosts that haunted their studios and files that pulled Houdini acts at the worst possible moment.

    The guys break down how they organize projects, why simple habits beat complicated systems, and how to build a backup routine that doesn’t feel like flossing. It’s equal parts education, comedy, and therapy for anyone who’s ever lost a take.

    And yes, Friday Finds is here to save the day with tools that keep your sessions safer than your last ex’s Netflix password.

    ******************************

    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

    ******************************

    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com


  • November 14, 2025
    Effects

    How to Use Delay in Mixing: Pro Techniques Every Studio Needs



    Ever crank a delay plugin, hear a swamp of echoes, and think, “Cool… but what am I actually doing here?” Chris & Jody are here to rescue you from your own knob-twisting crimes. This week, they break down delay the way mix engineers wish someone had explained it when they were fumbling around in their first apartment studios.

    First, the math (don’t panic). They show you how to calculate delay times that actually fit the tempo, no more “that kinda sounds right, maybe” energy. If you’re using hardware with zero DAW sync, this segment alone may save you from hurling your favorite box across the room.

    Then they unleash the fun stuff: slapbacks that make vocals swagger, ping-pongs that dance across your headphones, tape delays that drip nostalgia, and multi-taps that basically let you play Tetris with your audio. They’ll even show you how to use delay to make guitars wider than your rent bill and vocals thicker than a Midwestern milkshake.

    Expect jokes, expect nonsense, and expect a few “wait… seriously?” tips you’ll immediately want to try. Stick around for Friday Finds, because who doesn’t love new plugins and gear you didn’t know you needed?

    ******************************

    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

    ******************************

    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com


1 2 3 … 134
Next Page
  • Facebook
  • Twitter
  • Instagram
  • YouTube

Subscribe to Podcast

Apple Podcasts
RSS
More Subscribe Options
FeedSpot calls us a Top Recording Studio Podcast
Million Podcasts calls us a Best Recording Studio Podcast.

© 2020-2025 Inside the Recording Studio