Inside the Recording Studio - Tips to improve your recording

December 26, 2025

Interview

Encore Episode: CJ Vanston on Creativity, Gear, and Great Recordings

Chris and Jody are hitting rewind and bringing back a special encore presentation of one of the most beloved conversations in Inside the Recording Studio history: their in-depth interview with CJ Vanston.

And honestly? This one was worth rerunning anyway.

CJ Vanston isn’t just a producer or keyboard wizard, he’s a musical storyteller who’s been behind the curtain of some truly iconic recordings. In this episode, Chris and Jody revisit their captivating conversation with CJ, unpacking how great records actually get made, why vibe matters more than gear lists, and what decades in the industry teach you that no plug-in manual ever will.

Behind the Curtain: CJ’s Creative Process

This encore gives you another chance to soak in CJ’s refreshingly grounded approach to music production. He talks openly about creative decision-making, how he chooses sounds that serve the song (not the ego), and why less technical obsession often leads to more emotional impact. If you’re deep into home studio gear, chasing better recording setup tips, or endlessly tweaking instead of finishing songs, this conversation might gently (or not-so-gently) reset your priorities.

CJ also dives into how he listens: stripping sessions down to the essentials, focusing on feel before fidelity, and trusting instincts over specs. It’s a powerful reminder that great records aren’t built by hiding behind menus or obsessing over hidden features in studio gear, but by committing to musical choices that communicate something real.

Musical Wisdom That Still Hits

Whether you’re an aspiring producer, a seasoned engineer, or a musician building tracks at home, CJ’s insights hold up beautifully. He shares hard-earned lessons about collaboration, keeping sessions human, and why the best studios, regardless of budget, feel safe, playful, and honest.

Along the way, Chris and Jody keep things firmly grounded in Inside the Recording Studio fashion: smart questions, practical takeaways, and just enough nonsense to remind you that making music should still be fun. Expect laughs, side comments, and the kind of conversational detours that make it feel like you’re hanging out in the control room rather than sitting through a lecture.

Why This Encore Matters

If you missed this episode the first time, welcome, you’re in for a treat. If you heard it before, you’ll likely catch new details this time around, especially if your studio skills (or frustrations) have evolved. From practical mindset shifts to subtle production philosophies, this rerun proves that the best advice doesn’t expire.

So grab your headphones, fire up your DAW (or maybe… close it for an hour), and join Chris and Jody as they revisit a timeless conversation about music, production, and the art behind the hits.

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Gear we used:
Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com
December 19, 2025

Workflow

Mixing Faster or Just Fancier? The Truth About Control Surfaces
Control surfaces look cool. Like, really cool. Rows of glowing faders. Buttons everywhere. That unmistakable “I totally know what I’m doing” vibe. But are they actually useful—or just expensive desk ornaments?

This week on Inside the Recording Studio, Chris and Jody grab the nearest fader and ask the uncomfortable question: do control surfaces in music production actually make your life easier?

They rewind to where these things came from (spoiler: some are older than your favorite plug-in) and why engineers wanted hands-on control in the first place. Then they fast-forward to today’s marketplace, where you can buy anything from a single-fader gadget to a spaceship-sized board that looks like it should launch satellites.

You’ll hear honest takes on what works, what doesn’t, and what’s straight-up marketing fluff. Chris & Jody talk about the moments control surfaces genuinely shine—rides, automation, performance-based mixing—and the moments where grabbing a mouse is faster, cheaper, and far less annoying.

They don’t dodge the awkward stuff either:
- Why some control surfaces slow you down
- Why setup can be more painful than audio interface troubleshooting
- Why “more knobs” doesn’t always mean better mixes
There’s real talk about budgets, desk space, ergonomics, and whether a control surface actually fits your workflow. Plus, they’ll name a few favorites they’d recommend without feeling guilty about it later.

With jokes, tangents, Friday Finds, and a healthy dose of skepticism, this episode is perfect for anyone tempted by slick demo videos—or wondering why their friend’s studio looks like NASA.

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Gear we used:
Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com
December 12, 2025

Guitars

Guitar String Materials & Gauges: What Musicians Need to Know for Better Recordings

Ah yes… the moment every guitarist avoids until a string finally snaps mid-bend: string changing season. Chris & Jody decide enough is enough, time to start the next year with guitar string tone that isn’t corroded, crusty, or older than your last tax return.

They tear into the eternal war between heavy gauges (“thicc tone, thicc fingers required”) and lighter sets (“bend like butter, intonate like a drunk ferret”). They talk nickel, steel, coated strings, and that mystery set you bought on sale and instantly regretted. Want to understand how string height and intonation sabotage your recordings? This episode spills the tea.

Plus: simple recording setup tips, sneaky hidden features in studio gear, and why cleaning your strings matters almost as much as cleaning your bathroom. Almost.

And as always, Friday Finds brings gifts, some useful, some weird, all inspiring.

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Gear we used:
Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com