Inside The Recording Studio – Page 15 – Unlock remarkable tips and tricks for improved recordings in your studio. Unusually great for beginners and professionals.

October 18, 2024

Compressors, Guitars

From Smooth to Punchy: Exciting Techniques for Compressing Electric Guitars!

In this episode of Inside the Recording Studio, Chris and Jody delve into the art of compressing electric guitars, sharing expert insights on how to get the most out of your compression tools. Whether you’re aiming for tight, punchy tones or smooth, sustained textures, understanding when and how to use compression is crucial for achieving professional-level guitar mixes.
We cover everything from subtle dynamic control to more aggressive techniques, helping you decide when it’s necessary to apply compression. Explore the nuances of track-based compression versus bus compression, and learn how these approaches can be used to add punch and clarity or glue a mix together. We also discuss our go-to compressors for electric guitars, including iconic models like the 1176 for aggressive, fast-attack control, the LA-2A for smooth, transparent leveling, the Distressor for versatility, and the SSL compressor for adding cohesion on the bus.
Whether you’re a seasoned engineer or looking to refine your skills, this episode provides practical advice on using these classic tools to sculpt your guitar tones to perfection. We’ll take you through real-world examples, showing how different compressors can shape the sound of electric guitars and when each tool shines the brightest.
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Gear we used:
Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com
October 11, 2024

Drums

Unlock the Secret to Punchy Drums: Master Dual Drum Busses
In this episode of Inside the Recording Studio, Chris and Jody dive into a powerful mixing technique for drums—setting up two separate drum busses to take your drum mix to the next level. Specifically, we’ll cover how to use one bus for shell-style drums (kick, snare, toms) and a second bus for metal-style drums (hi-hats, ride, cymbals).
If you’ve ever struggled to get clarity and punch from your drum recordings, this episode is for you. We’ll break down:
- Why Two Drum Busses?: Discover the benefits of splitting your drum kit into two busses—how it allows for greater control over the dynamics, EQ, and processing of the different types of drums, from heavy, punchy kicks to shimmering cymbals.
- Setting Up the Shell Drum Bus: Learn how to treat your shell-style drums (kick, snare, toms) as a unified group, from EQ and compression settings to how much low-end punch and midrange power to dial in.
- Processing the Metal Drum Bus: We’ll guide you through processing your hi-hats, rides, and cymbals separately, emphasizing top-end sheen, clarity, and space without overwhelming the mix.
- Balancing the Two Busses: Once both busses are dialed in, we’ll discuss how to balance them for maximum impact in your mix, ensuring that your drums sit perfectly in your track without competing frequencies.
- Advanced Techniques: Explore creative options like parallel compression and reverb settings that are bus-specific, enhancing the separation and power of your drum elements.
Whether you’re working on a dense rock mix or a more spacious, dynamic track, this episode will help you achieve a clean, balanced, and powerful drum sound. Tune in now to Inside the Recording Studio and revolutionize how you mix drums!
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Gear we used:
Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com
October 4, 2024

Compressors

Compression Decoded: Transform Your Recording Hearing Skills Now
In this episode of Inside the Recording Studio, we break down the art of hearing compression in your recordings—specifically focusing on how compression affects the sound of a brass snare drum using Logic’s Platinum Compressor.
Compression can be a tricky tool to master, especially when it comes to subtle changes in dynamics. Join us as we discuss:
- Understanding Compression: We start by explaining how compression works on an instrument like a snare drum, particularly a brass snare, and how it shapes the attack, sustain, and release of the sound.
- Using Logic’s Platinum Compressor: Learn how to dial in the right settings on Logic’s versatile Platinum Compressor to hear the subtle (and sometimes not-so-subtle) differences. From threshold to ratio, attack, and release, we guide you through the parameters to tweak for maximum effect.
- Listening Techniques: Not sure what you should be listening for? We break down key listening tips so you can learn to hear compression as it smooths out transients, tightens up dynamic range, and gives the snare its distinctive punch.
- Creative vs. Transparent Compression: Discover the difference between using compression to subtly enhance your mix and using it as a creative tool to completely reshape the sound of an instrument.
Whether you’re a beginner looking to understand compression or a seasoned producer fine-tuning your ear, this episode will help you harness the power of compression on your drum recordings. Tune in now to Inside the Recording Studio and start making more intentional compression decisions!
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Gear we used:
Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com