• Mixing Faster or Just Fancier? The Truth About Control Surfaces



    Control surfaces look cool. Like, really cool. Rows of glowing faders. Buttons everywhere. That unmistakable “I totally know what I’m doing” vibe. But are they actually useful—or just expensive desk ornaments?

    This week on Inside the Recording Studio, Chris and Jody grab the nearest fader and ask the uncomfortable question: do control surfaces in music production actually make your life easier?

    They rewind to where these things came from (spoiler: some are older than your favorite plug-in) and why engineers wanted hands-on control in the first place. Then they fast-forward to today’s marketplace, where you can buy anything from a single-fader gadget to a spaceship-sized board that looks like it should launch satellites.

    You’ll hear honest takes on what works, what doesn’t, and what’s straight-up marketing fluff. Chris & Jody talk about the moments control surfaces genuinely shine—rides, automation, performance-based mixing—and the moments where grabbing a mouse is faster, cheaper, and far less annoying.

    They don’t dodge the awkward stuff either:

    • Why some control surfaces slow you down
    • Why setup can be more painful than audio interface troubleshooting
    • Why “more knobs” doesn’t always mean better mixes

    There’s real talk about budgets, desk space, ergonomics, and whether a control surface actually fits your workflow. Plus, they’ll name a few favorites they’d recommend without feeling guilty about it later.

    With jokes, tangents, Friday Finds, and a healthy dose of skepticism, this episode is perfect for anyone tempted by slick demo videos—or wondering why their friend’s studio looks like NASA.

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

  • How to Build a Rock-Solid Backup Workflow for Your DAW (Without Going Crazy)



    Let’s be honest: the art of doing a backup is about as exciting as dusting your studio monitors or alphabetizing cables. But nothing will make you scream into the void faster than losing a session you swear you saved. In this episode of Inside the Recording Studio, Chris & Jody grab you by the shoulders and lovingly scream, “BACK UP YOUR STUFF!”

    They dive into backup options from “cheap but risky” to “Fort Knox for audio nerds.” Drives, RAIDs, clouds, offsite bunkers—okay, maybe not bunkers, but close. You’ll hear their own cautionary tales, including technical ghosts that haunted their studios and files that pulled Houdini acts at the worst possible moment.

    The guys break down how they organize projects, why simple habits beat complicated systems, and how to build a backup routine that doesn’t feel like flossing. It’s equal parts education, comedy, and therapy for anyone who’s ever lost a take.

    And yes, Friday Finds is here to save the day with tools that keep your sessions safer than your last ex’s Netflix password.

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

  • Achieving Mix Separation: How to Create Clarity Without Losing Energy



    Getting mix separation isn’t about pulling instruments apart—it’s about giving them space to breathe. In this week’s Inside the Recording Studio, Chris & Jody break down the art and science of separation, revealing how clarity and cohesion can live in perfect balance.

    They unpack why separation matters, when it’s essential, and how to achieve it without flattening your mix or losing energy. From classic EQ carving and stereo panning to dynamic range control and subtle ambience tricks, you’ll walk away with practical recording setup tips you can use in any environment—whether you’re crafting tracks with modest home studio gear or mixing in a world-class room.

    Hear real-world “road warrior” stories where chaotic sessions were rescued through clever problem-solving. Learn how to manage frequency masking, where low-end instruments fight for the same space, and why sometimes too muchseparation can strip away the glue that makes a song feel alive.

    Chris & Jody dig into the psychology of sonic space—why our ears crave balance—and show how separation can guide emotion, groove, and impact. Naturally, there’s humor sprinkled throughout (don’t worry, no actual divorces took place while making this episode).

    They finish strong with their fan-favorite Friday Finds, spotlighting the latest plugins, monitoring tools, and workflow hacks to keep your mixes sharp and inspired.

    If your songs sound muddy, crowded, or like your guitar player’s ego is sitting on top of your vocals, this episode’s your fix. Tune in, take notes, and give every sound its home in the sonic spectrum.

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

  • From Stereo to Surround: How to Start Mixing Music in Dolby Atmos



    Dolby Atmos Mixing: Redefining the Studio Soundstage

    Once reserved for blockbuster cinemas, Dolby Atmos is now rewriting the rulebook for how we create and experience music. In this episode, Chris & Jody unpack what mixing in Atmos really means for the modern producer — from recording setup tips and home studio gear requirements to the creative freedom of 3D sound.

    They’ll walk you through the tech (yes, it’s more than just panning in space), explain what makes it different from stereo, and debate whether it’s the real future of mixing or just another passing phase. You’ll hear how immersive sound is reshaping everything from headphone design to distribution platforms like Apple Music, Amazon, and TIDAL—and how even indie creators can start experimenting with spatial audio without dropping Hollywood-level cash.

    With sharp insight, a dose of humor, and those signature Friday Finds, this episode gives you the full picture: the hype, the workflow, the roadblocks, and the genuine creative potential of Atmos mixing in the real world.

    Whether you’re a gearhead, a mixer looking to upgrade, or just curious about where music production is headed next—this is essential listening.

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

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