If your background vocals tend to fight the lead instead of lifting it, this quick walkthrough shows how to turn complexity into clarity.
In this Tuesday Tip, Jody breaks down how he handles a session with 18 background vocals, covering how they’re grouped, panned, bussed, and processed so they actually help the song instead of wrecking the mix. The focus stays practical: making those vocals feel big, wide, and supportive while keeping the lead vocal front and center.
Background vocals are supposed to sound huge, not like a group text gone wrong.
In this episode of Inside the Recording Studio, Chris and Jody tackle the surprisingly tricky world of big background vocals, from towering vocal stacks to rowdy gang vocals that sound like they might knock something over. If you’ve ever added “just one more harmony” and suddenly lost all clarity, this one’s for you.
They start by answering a deceptively simple question: what kind of background vocals does your song actually need?Not every track wants a stadium-sized choir, and not every chorus survives being buried under twelve takes. Chris and Jody break down how background vocals function across genres and why restraint can sometimes hit harder than excess.
The discussion quickly turns to producer tendencies, some obsess over timing, some over pitch, and some spiral into fixing both until the emotion disappears. Chris points out how chasing perfection can kill the very thing background vocals are meant to add: energy. Jody shares how he keeps large vocal stacks feeling exciting without letting them turn into a technical nightmare.
You’ll also hear practical advice on treating massive vocal stacks once they’re recorded. When do you keep them tight and centered? When do you spread them wide? The mono-versus-stereo debate comes into play, with clear examples of how each choice affects impact and clarity. They also dig into effects that make background vocals feel alive, while warning against overdoing it and ending up with a cloudy mix.
One of the highlights is their breakdown of common background vocal mistakes. Over-stacking without a plan, ignoring blend, and slapping effects on everything can turn a “wall of sound” into, as they put it, “mud on toast.” The fixes are simpler than you think, especially if you’re working in a home studio environment.
Along the way, they shout out legendary producers and bands known for their background vocal work, using those references to explain what makes big vocals last beyond trends. The focus stays practical and usable, no theory rabbit holes, no gear worship, just techniques that translate directly into better mixes.
Whether you’re layering harmonies in a bedroom studio or tracking a full gang vocal, this episode gives you recording setup tips and mix strategies that actually work in the real world.
Stick around for Friday Finds, the Gold Star word, and the usual nonsense, and then go stack some vocals with confidence.
Subscribe so you don’t miss next week’s studio deep dive.
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Gear we used:
Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.
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If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com
Getting the perfect vocal take isn’t just about talent—it’s about technique, positioning, and knowing how to work the mic. Whether you’re tracking in a pro studio or recording in a DIY setup, mic distance can make or break your vocal mix.
In this episode of Inside the Recording Studio, Chris and Jody break down the art and science of mic positioning and why finding the sweet spot is crucial for getting that clear, full-bodied, and professional vocal sound.
What We’re Covering:
How close should a singer be to the mic? The answer isn’t one-size-fits-all, but we’ll explain the general rules and when to break them.
What happens when you get it wrong? From muddy, boomy vocals to thin and lifeless recordings, mic distance can have a huge impact on tone and clarity.
Should singers hold the mic? Live performance vs. studio tracking—why holding the mic might seem like a good idea, but often leads to unwanted inconsistencies.
What is the proximity effect? Ever wondered why getting too close to the mic makes vocals sound overly bass-heavy? We’ll break down how this phenomenon works and how to use it to your advantage (or avoid it entirely!).
Fixing common recording mistakes. Whether you’re dealing with plosives, sibilance, or room reflections, we’ll share practical tips to troubleshoot mic placement issues in any recording environment.
Bonus: Don’t miss this week’s Friday Finds—where we share the latest gear, plugins, and tricks that could change the way you record vocals forever.
It’s all about getting the best vocal takes—without the guesswork. Tune in and let’s demystify the perfect mic placement together!
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Gear we used:
Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.
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If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com
Chris and Jody dive into one of the most versatile tools in a mix engineer’s arsenal: delay. Whether you’re looking to add depth, space, or a touch of magic to your vocal tracks, this episode is packed with tips and tricks to help you get there.
Here’s what’s on the table:
Of course, it wouldn’t be an Inside the Recording Studio episode without some laughs, a dash of nonsense, and a surprise in this week’s Friday Finds—trust us, it’s a doozy you won’t want to miss.
Whether you’re just starting out or a seasoned pro, this episode offers practical insights and creative inspiration to take your vocal mixes to the next level. Hit play and get ready to delay like a pro!
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Gear we used:
Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.
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If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com
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