Tuesday Tips

  • Tuesday Tip: Sample Rate Mistakes That Break Studio Projects


    Sample rates don’t usually break your session immediately. They wait. Quietly. Patiently. Then, right when you think everything’s fine, they cause chaos. In this Tuesday Tip from Inside the Recording Studio, Chris explains why ignoring sample rate is one of the easiest ways to trip yourself up.

    The setup is familiar. You import a loop. You grab files from a client. You lay down tracks for a producer. Everything seems fine—until it isn’t. Chris walks through what actually happens when sample rates don’t match and why the fix is never as simple as you wish it were.

    Instead of getting deep into theory, Chris focuses on workflow reality. Sample rate problems usually come from assumptions, not lack of knowledge. Someone didn’t ask. Someone didn’t specify. Someone figured it would “just work.” And suddenly, audio plays back wrong, timing feels off, or files need to be converted mid-project.

    For people working with home studio gear, this can be especially frustrating. Smaller systems don’t have endless headroom for fixes, and mismatched files can turn a simple session into a mess. Chris points out that these problems often show up when collaborating—especially when files are moving between different studios or producers.

    This Tuesday Tip is really about communication. Chris stresses the importance of knowing the sample rate before you start and making sure everyone involved is on the same page. These recording setup tips aren’t flashy, but they’re the difference between a smooth session and one that slowly unravels.

    The takeaway is refreshingly simple: ask the question early. Confirm the rate. Don’t assume. Sample rate issues are easy to avoid—and annoying to fix—so a little attention up front goes a long way.

    If you’ve ever wondered why a session suddenly didn’t behave the way you expected, this tip might explain it. Subscribe for more short, no-nonsense studio advice that saves you time and headaches.

  • Tuesday Tip: Learning the Sound of a Console


    In this video, Chris demonstrates the sound of different consoles using Slate Digital’s Virtual Mix Rack. As this can sometimes be quite subtle, there also a handy tip for learning what they impart on your tracks.

  • Tuesday Tip: The Flexibility of Cab & Mic IR’s


    Discover the amazing flexibility of cabinet and mic IR’s when tracking or mixing guitars. In this video, Chris shows the impact they make on your tone, and why knowing how to actually mic a cabinet, will make your choices easier to make. Also, how using the fantastic MixIR3 plugin from Redwirez, can make this process a lot more streamlined. If you’re curious, the guitar track in this video, was recorded with an Ernie Ball Luke with EMG pickups, DI’d into an Apogee Duet.

  • How to Get the Most Out of the iZotope NeoVerb: Quick Tip and Trick with the Reverb Assistant


    A little UI review, a dash of uses, a pinch of what makes it unique, and a whole lot of nerd, equals a quick look into NeoVerb reverb from iZotope. In this tip, I show you how I used the Reverb Assistant to get me a great spacial sound on guitars for a track where I was under a deadline for a TV show.