• Productivity Hacks – How To Have Productive Downtime



    How to Have Productive Downtime

    Every studio professional knows the rhythm: one week you’re slammed with sessions, bouncing between recording, mixing, and mastering, and the next you find yourself staring at a blank DAW screen with no projects on the calendar. What do you do when things get quiet? In this episode of Inside the Recording Studio, Chris and Jody unload their best strategies for staying productive during downtime—so that when the work ramps back up, you’re sharper, faster, and better prepared than before.

    They break it down into three categories of ideas designed to keep both your workflow and your creativity in top shape:

    1. Sharpen Your Skills

    Downtime is the perfect opportunity to dig into tutorials, revisit techniques, or practice mixing and mastering on old projects. Chris and Jody talk about how even simple exercises—like revisiting EQ decisions or exploring hidden features in studio gear—can level up your confidence and speed when deadlines hit.

    2. Optimize Your Setup

    When’s the last time you gave your studio some TLC? Whether it’s updating software, tackling audio interface troubleshooting, reorganizing your file system, or literally doing some spring cleaning, downtime is ideal for tightening up your recording setup tips. Chris and Jody share what they do to make sure their studios run smoothly, including those “why didn’t I do this sooner?” tasks like labeling cables or learning how to clean music gear the right way.

    3. Refuel Your Creativity

    Being productive doesn’t always mean grinding. Sometimes it’s about recharging. Chris and Jody talk about ways to step back from the console—reading, listening, exploring new music, or even leaning into a little nonsense—and why this mental reset is just as valuable as technical practice.

    Throughout the episode, expect the usual mix of real-world anecdotes, humor, and a touch of nonsense. Plus, don’t miss this week’s Friday Finds, where Chris and Jody share tools and ideas that can inspire you when things feel slow.

    By the end of the episode, you’ll walk away with practical steps for turning downtime into growth time—whether you’re working in a full pro facility or a home studio gear setup.

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

  • 10 Common Mastering Engineer Mistakes Most People Make And How To Fix Them



    Mastering Engineer Mistakes to Avoid

    Mastering might seem like the final polish on a track, but if you’ve ever tried your hand at it, you know it’s not just about loudness and EQ. It’s a delicate art—and when you’re new to the craft, there are plenty of ways to stumble. In this episode of Inside the Recording Studio, Chris and Jody break down 10 of the most common mastering engineer mistakes, and more importantly, how to avoid them.

    From over-EQ’ing to leaning too heavily on presets, Chris and Jody lay out real-world pitfalls that derail beginners and explain how to move past them. With humor, insight, and some nonsense sprinkled in for good measure, they map out a path that will help you develop better ears, smarter workflows, and a more professional approach to mastering.

    Here’s a sneak peek at some of the mistakes they tackle:

    • Overusing EQ or compression and squashing the life out of a mix.
    • Chasing loudness over clarity, falling into the trap of the “loudness wars.”
    • Ignoring monitoring environments—because if your room lies, your master lies.
    • Not understanding the role of reference tracks in calibrating your ears.
    • Skipping fundamentals, like proper gain staging and file prep.
    • Leaning too hard on gear or plugins instead of trusting your ears.
    • Failing to step back, losing perspective by mastering in a vacuum.

    Alongside these cautionary tales, Chris and Jody offer recording setup tips that apply whether you’re in a big studio or working with home studio gear. They also reveal a few hidden features in studio gear and plugins that can make mastering more efficient and accurate.

    The takeaway? Mastering isn’t about chasing perfection with endless tweaks. It’s about making intentional, transparent moves that translate across playback systems. And yes—it’s also about learning when not to touch the knobs.

    By the end of this episode, you’ll know the 10 mistakes to avoid, plus the mindsets and habits that set real mastering engineers apart. You’ll laugh, you’ll nod in recognition, and you’ll leave with fresh tools to refine your approach to mastering—whether you’re polishing your own tracks or prepping music for the world to hear.

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

  • How to Use New Gear – Do You Need It?



    The Right (and Wrong) Way to Use New Gear

    Few things get musicians and producers more excited than cracking open a new piece of gear. Whether it’s a shiny plugin, a boutique preamp, or something as simple as a set of sleigh bells, the temptation is real: use it on everything. But should you? In this episode of Inside the Recording Studio, Chris and Jody wade into the muddy waters of how to approach new gear—and when to recognize the difference between a want and a need.

    When you add a new toy to your arsenal, the impulse is to throw it on every track. That new compressor? Suddenly it’s on guitars, vocals, drums, and maybe even your neighbor’s cat. But Chris and Jody break down why restraint can be just as valuable as enthusiasm. Sometimes new gear solves a problem, enhances workflow, or unlocks a creative sound you couldn’t get before. Other times, it’s just adding clutter.

    You’ll hear discussion around practical questions like:

    • Should every song have sleigh bells just because you bought them? (Spoiler: probably not.)
    • How do you decide whether to buy gear for a want or a genuine need?
    • What role does workflow play in determining whether new gear is actually helping?
    • How can you balance exploration with efficiency in your home studio gear setup?

    Chris and Jody also touch on the psychology of gear acquisition. From the “honeymoon phase” of a new plugin to the drawer full of forgotten pedals, they highlight the traps we all fall into. You’ll also get recording setup tips for integrating gear wisely, and even a few mentions of hidden features in studio gear that you might already own but aren’t fully exploiting.

    Of course, in true Inside the Recording Studio style, there’s humor, a dash of nonsense, and the weekly Friday Finds, where Chris and Jody share something fresh and inspiring for your creative journey.

    By the end, you’ll have a better handle on how to approach new gear with both excitement and perspective—so your mixes improve instead of turning into a playground of half-baked experiments.

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

  • How To Use Your DAW Like A Console: 3 Pro Bits for Channel Strips vs Individual Plugins



    In the world of recording and mixing, few debates are as enduring—or as workflow-defining—as the choice between channel strips and individual plugins. On this week’s episode of Inside the Recording Studio, Chris and Jody roll up their sleeves and dive straight into the signal path to unpack what makes these two approaches so different.

    If you’ve ever wondered why some engineers swear by all-in-one channel strips while others stack plugins like a buffet plate, this episode is your roadmap.

    A channel strip is like having a miniature console channel living inside your DAW: EQ, compression, gating, and sometimes saturation all bundled together. Chris and Jody break down exactly what components are included, why they’re modeled after the legendary consoles that defined decades of records, and how modern digital developers—from Waves and Universal Audio to Brainworx and Plugin Alliance—have reimagined them for today’s producers.

    On the other side of the fader are individual plugins—the modular approach where you cherry-pick a specific EQ, compressor, or limiter to build your own custom chain. The flexibility is undeniable, but so are the rabbit holes of option paralysis. Which EQ plugin works best with which compressor? How many tape saturators does one session really need? Chris and Jody debate the pros and cons with equal parts technical wisdom and a splash of studio humor.

    Expect a conversation that blends workflow hacks, recording setup tips, and candid opinions. You’ll learn why a channel strip can be a lifesaver in the heat of tracking, where individual plugins shine for precision and experimentation, and how to strike the right balance in your own projects. Plus, the guys share thoughts on whether treating your DAW like a console can actually speed up your mixing, or if it just locks you into habits you might not need.

    And of course—it wouldn’t be an Inside the Recording Studio episode without some playful banter and this week’s Friday Finds.

    Whether you’re a home studio gear enthusiast or a seasoned pro, this episode will give you a sharper perspective on how to streamline your signal chain and make your mix decisions with more confidence.

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

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