• iZotope Neutron Explained: How To Get A Clean Mix In Minutes



    A Sneak Peek at iZotope Neutron

    Mixing is equal parts art and science—and sometimes the right tool can bring those two worlds together. In this episode of Inside the Recording Studio, Chris and Jody crack open the brand-new version of iZotope Neutron, giving listeners an early look at one of the most flexible and modern channel strips on the market.

    Neutron isn’t your run-of-the-mill EQ or compressor. It’s a suite of powerful modules that lets you sculpt your mix with precision and creativity. Chris and Jody walk through the nitty-gritty of each component—from EQ, compression, and transient shaping to the unique spectral tools and assistive AI features that set Neutron apart. With tons of permutationsavailable, this channel strip feels less like a single tool and more like an entire mixing ecosystem packed into one plugin.

    But the big question remains: how can you make it work for your productions? The guys explain how Neutron can simplify decisions, streamline workflow, and open up creative possibilities—whether you’re deep in pro-level sessions or just experimenting with home studio gear. They highlight practical recording setup tips for integrating it into your DAW, discuss common mixing challenges that Neutron helps solve, and even point out a few hidden features in studio gear that might surprise you.

    And because it wouldn’t be Inside the Recording Studio without some personality, expect some laughs, a little nonsense, and this week’s Friday Finds—spotlighting more tools and ideas to keep your mixes fresh.

    By the end of the episode, you’ll understand why Chris and Jody call this plugin a “Neutron Star” for mixing, and you’ll have real strategies for dialing in pro-level mixes with confidence.

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

  • How To Use Your DAW Like A Console: 3 Pro Bits for Channel Strips vs Individual Plugins



    In the world of recording and mixing, few debates are as enduring—or as workflow-defining—as the choice between channel strips and individual plugins. On this week’s episode of Inside the Recording Studio, Chris and Jody roll up their sleeves and dive straight into the signal path to unpack what makes these two approaches so different.

    If you’ve ever wondered why some engineers swear by all-in-one channel strips while others stack plugins like a buffet plate, this episode is your roadmap.

    A channel strip is like having a miniature console channel living inside your DAW: EQ, compression, gating, and sometimes saturation all bundled together. Chris and Jody break down exactly what components are included, why they’re modeled after the legendary consoles that defined decades of records, and how modern digital developers—from Waves and Universal Audio to Brainworx and Plugin Alliance—have reimagined them for today’s producers.

    On the other side of the fader are individual plugins—the modular approach where you cherry-pick a specific EQ, compressor, or limiter to build your own custom chain. The flexibility is undeniable, but so are the rabbit holes of option paralysis. Which EQ plugin works best with which compressor? How many tape saturators does one session really need? Chris and Jody debate the pros and cons with equal parts technical wisdom and a splash of studio humor.

    Expect a conversation that blends workflow hacks, recording setup tips, and candid opinions. You’ll learn why a channel strip can be a lifesaver in the heat of tracking, where individual plugins shine for precision and experimentation, and how to strike the right balance in your own projects. Plus, the guys share thoughts on whether treating your DAW like a console can actually speed up your mixing, or if it just locks you into habits you might not need.

    And of course—it wouldn’t be an Inside the Recording Studio episode without some playful banter and this week’s Friday Finds.

    Whether you’re a home studio gear enthusiast or a seasoned pro, this episode will give you a sharper perspective on how to streamline your signal chain and make your mix decisions with more confidence.

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

  • What are Impulse Responses, How to Use Them, and What is the Best Software for Implementing IRs in a mix?



    IRs. No, not “instant ramen” (though Chris & Jody would probably talk about that too). We’re talking impulse responses—those pesky little files that can make your guitar cabinet sound like it was recorded in Abbey Road or turn your closet into a cathedral.

    In this week’s Inside the Recording Studio, the guys take a listener request and dig into the what, why, and how of IRs. What are they really? Why should you care? And who’s out there making the good ones versus just selling you snake oil?

    They’ll explain how to use IRs in convolution reverb, why guitarists are obsessed with cabinet IRs, and how producers sneak them into mixes for everything from realism to creative madness. You’ll also get a few recording setup tips and some laughs about what happens when you don’t know what you’re loading (hint: chaos).

    Naturally, nonsense makes an appearance, and their Friday Finds give you some freebies and gems to try right now.

    So if you’ve ever wondered what impulse responses actually do, or just want to know why everyone keeps talking about them, this episode will fill you in—minus the boring textbook vibes.

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

  • How to Get the Most Out of the iZotope NeoVerb: Quick Tip and Trick with the Reverb Assistant


    A little UI review, a dash of uses, a pinch of what makes it unique, and a whole lot of nerd, equals a quick look into NeoVerb reverb from iZotope. In this tip, I show you how I used the Reverb Assistant to get me a great spacial sound on guitars for a track where I was under a deadline for a TV show.

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