Chris and Jody tear down the concepts on plugin GUIs. Talking about the evolution of plugin interfaces, what makes them good, what makes them bad. How they affect workflow and more.
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Gear we used: Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800 Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Chris and Jody dive into some useful 3rd party tools meant to up your DAW’s already powerful capabilities. From pitch correction, to time correction, to noise removal and all types of things in-between. Strap in and come along for the outside your DAW excursion.
** Jody is using a different mic in this episode (Telefunken M80)
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Gear we used: Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800 Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Plugins. They’re the modern producer’s candy store—and also the source of endless clutter if left unchecked. In this episode of Inside the Recording Studio, Chris and Jody crack open their plugin folders and share the realities of keeping things under control.
From the moment you install your first compressor or virtual synth, your plugin library begins to grow. Fast forward a few months (or years) and suddenly your DAW is loading hundreds of plugins across multiple folders, formats, and drive locations. Sound familiar? Chris and Jody break down the best practices for plugin organization: when to prune the excess, how to prevent bloat, and how to structure folders so you can actually find what you need mid-session.
They’ll discuss the quirks of different DAWs—Logic, Pro Tools, Cubase, Ableton, Studio One—and which organization strategies work best in each. You’ll hear about the pitfalls of plugins installed across multiple locations, why some manufacturers still insist on their own folders, and whether there’s a “right” way to keep everything streamlined.
But this isn’t just a housekeeping lecture. Expect practical recording setup tips you can apply today—whether you’re creating custom plugin categories, uninstalling the 12 reverbs you never use, or discovering hidden features in studio gear that make workflow smoother. And of course, in classic Chris and Jody style, there’s humor and banter—because who hasn’t accidentally left that “freebie” distortion plugin installed since 2009?
If your plugin folder feels more like a junk drawer than a toolbox, this episode will help you reclaim control and focus on making music—not hunting for that one EQ you swear you downloaded last year.
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Gear we used: Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800 Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Reverb? Delay? Pssh. Cute. Chris and Jody are cracking open the toy chest and pulling out the weird stuff. This week’s Inside the Recording Studio is all about esoteric effects — the ones you don’t admit to using at parties but secretly love.
Want to crush a vocal until it sounds like it came through a Game Boy? Done. Want to warp a guitar into a ghostly, otherworldly pad? Easy. Want to make your mix sound like it’s breathing through a broken spaceship airlock? We got you.
This isn’t your “five plug-ins every producer needs” kind of episode. Nope—we’re diving into the strange, the misunderstood, the “why-does-this-even-exist” effects that somehow make everything cooler when you use them right.
Chris and Jody share their faves, their “don’t-try-this-at-home” moments, and how to sneak these oddballs into a track without wrecking the vibe. Think of it as audio interface troubleshooting for your creativity. Spoiler: you’re gonna want to hit the bypass button less often after this one.
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Gear we used: Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800 Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
