Chris and Jody walk thru the steps of dealing with High Gain guitar sounds. Which amps are good choices? What if you’re using amp sims? Mic’ing an actual cabinet, or using IR’s? Why too much gain may hurt you, why you should consider a Tube Screamer, and how the mid’s can actually be your friend. It’s also not unlikely that there will be some nonsense discussed.
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Gear we used:
Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.
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If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com
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After recording as a session musician, Chris shows how he prepares his guitar tracks before sending them to the client. What’s the process? What’s included? What’s left out?
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Gear Chris used:
Chris’ Mic & Voice Chain: Slate ML1 – Apogee Duet – Slate VMR (FG12, FG73, SSL 4kE, API Eq, FG2A) – iZotope RX 9 Spectral DeNoise – Oek Sound Soothe 2
Master: iZotope Ozone 9 Maximize.
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If you want to collaborate, sponsor a podcast, donate or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com
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Today’s Tuesday Tip showcases DI Guitar recording with plugging directly into your audio interface. Followed with how to build a guitar amp setup in your DAW using more than a singular all-in-one plugin. Two examples given, one for a clean guitar tone and another for a more complex distorted guitar tone.
Shoutout to: Redwirez, Line 6, Eventide
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Gear Jody used:
Jody’s Mic & Voice Chain: Telefunken C12 – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize
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If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com
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Chris and Jody tackle the concept of recording Guitar using Direct Input techniques. Generally reserved for electric guitar, but can also be used for acoustic guitar if it’s equipped with pickups. They talk about the different methods of DI that you can use. Plus the how’s and why’s of doing DI type recording. It’s also not unlikely that some nonsense will be discussed.
Shoutout to: StudioDevil, Redwirez, CJ Vanston, Paul Jackson Jr.
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Gear we used:
Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.
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If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com
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