In this episode of Inside the Recording Studio, Chris and Jody delve into the art of compressing electric guitars, sharing expert insights on how to get the most out of your compression tools. Whether you’re aiming for tight, punchy tones or smooth, sustained textures, understanding when and how to use compression is crucial for achieving professional-level guitar mixes.
We cover everything from subtle dynamic control to more aggressive techniques, helping you decide when it’s necessary to apply compression. Explore the nuances of track-based compression versus bus compression, and learn how these approaches can be used to add punch and clarity or glue a mix together. We also discuss our go-to compressors for electric guitars, including iconic models like the 1176 for aggressive, fast-attack control, the LA-2A for smooth, transparent leveling, the Distressor for versatility, and the SSL compressor for adding cohesion on the bus.
Whether you’re a seasoned engineer or looking to refine your skills, this episode provides practical advice on using these classic tools to sculpt your guitar tones to perfection. We’ll take you through real-world examples, showing how different compressors can shape the sound of electric guitars and when each tool shines the brightest.
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Gear we used:
Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.
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If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com
In this episode, Chris and Jody tackle a crucial challenge every producer faces: mixing tracks that come from poorly recorded and pristinely recorded sources. What do these terms mean, and how does the quality of the recording shape the mixing process?
Join us as we explore:
- What defines a poorly recorded source: Whether it’s noise, distortion, bad mic placement, or room issues, we break down the characteristics of recordings that come with inherent flaws and how to recognize them.
- What makes a recording pristine: Learn how high-quality recordings—with proper mic techniques, controlled environments, and clear sound—set the foundation for a smoother mixing process.
- Our first steps for mixing each type: We reveal our go-to strategies for bringing life to poorly recorded sources, from corrective EQ and noise reduction to creative tricks that make imperfections work in your favor. On the flip side, we share how to approach pristinely recorded sources, focusing on enhancing what’s already great and letting the song’s natural beauty shine.
Whether you’re cleaning up messy tracks or polishing already perfect recordings, this episode is packed with actionable tips and techniques to help you master both ends of the spectrum. Tune in and elevate your mixing skills with Inside the Recording Studio!
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Gear we used:
Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.
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If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com
In this exciting episode of Inside the Recording Studio, Chris and Jody take you on a sonic journey to unlock the secrets of achieving depth in multi-tracked guitars. Join us as we explore innovative techniques and expert strategies to elevate your guitar recordings to new heights.
Discover how to create rich and immersive guitar textures by layering multiple tracks and crafting dynamic arrangements. From doubling and panning techniques to utilizing different guitar tones and effects, we’ll show you how to add depth and dimension to your guitar productions.
But that’s not all – we’ll also delve into the intricacies of multi-tracked guitars, revealing tips and tricks to enhance clarity, balance, and separation in your mixes. Learn how to sculpt the perfect sonic landscape, where each guitar track occupies its own space while contributing to the overall depth and impact of the mix.
Whether you’re a seasoned guitarist, a budding producer, or simply passionate about achieving professional-quality guitar recordings, this episode offers invaluable insights and practical advice to help you master the art of multi-tracked guitars. Don’t miss out on this essential guide to unlocking the full potential of your guitar recordings – tune in now to Inside the Recording Studio!
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Gear we used:
Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.
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If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com
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Chris and Jody whip up some classic guitar tones from a Stratocaster, a Telecaster and a straight up Strat style guitar with a humbucker. They delve into several pickup settings and run thru come simple chords and riffs to compare each sound and then explain what they’re hearing in each tone setting.
Stratocaster with Fishman Fluence Fender voiced pickups.
Telecaster with standard single coil telecaster pickups.
Schecter with a Schecter humbuckers in the neck and bridge (PAF style).
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Gear we used:
Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.
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If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com
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