• How to Use Delay in Mixing: Pro Techniques Every Studio Needs



    Ever crank a delay plugin, hear a swamp of echoes, and think, “Cool… but what am I actually doing here?” Chris & Jody are here to rescue you from your own knob-twisting crimes. This week, they break down delay the way mix engineers wish someone had explained it when they were fumbling around in their first apartment studios.

    First, the math (don’t panic). They show you how to calculate delay times that actually fit the tempo, no more “that kinda sounds right, maybe” energy. If you’re using hardware with zero DAW sync, this segment alone may save you from hurling your favorite box across the room.

    Then they unleash the fun stuff: slapbacks that make vocals swagger, ping-pongs that dance across your headphones, tape delays that drip nostalgia, and multi-taps that basically let you play Tetris with your audio. They’ll even show you how to use delay to make guitars wider than your rent bill and vocals thicker than a Midwestern milkshake.

    Expect jokes, expect nonsense, and expect a few “wait… seriously?” tips you’ll immediately want to try. Stick around for Friday Finds, because who doesn’t love new plugins and gear you didn’t know you needed?

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

  • Get Pumped with Pioneering Audio Techniques: Pitch & Time Edits Revealed!



    Step into the realm of creative audio tweaking with our latest episode of Inside the Recording Studio! Join Chris and Jody as they unveil five innovative techniques to push the boundaries of your audio productions.

    In this episode, we explore the art of extreme time and pitch edits, revealing how subtle adjustments can transform ordinary sounds into extraordinary sonic landscapes. Dive into the world of rhythmic effects via gating, tremolo, and stutter edits, and learn how to inject dynamic movement and excitement into your tracks.

    Discover the power of extreme EQ and filtering as we demonstrate how to sculpt and shape your audio with surgical precision. From enhancing clarity to creating otherworldly textures, these techniques will revolutionize your approach to mixing and sound design.

    But that’s not all – we also explore the fascinating realm of impulse responses (IRs) and bit crushing, unlocking the potential to add depth, character, and grit to your recordings. Learn how to harness these tools to add a touch of vintage warmth or futuristic flair to your tracks.

    Whether you’re a seasoned audio engineer or an aspiring producer, this episode is packed with valuable tips and tricks to take your creativity to new heights. Don’t miss out on this essential guide to pushing the boundaries of audio tweaking.

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

  • Mastering the Art of Reverb and Delay: Unlock Your Sound’s True Potential!



    Chris and Jody, your sonic architects, delve into the captivating realm of reverb and delays, exploring the nuanced art of when to use each and how to seamlessly integrate them in a mix.

    Reverb vs. Delay: A Sonic Duet

    Join us on this sonic journey as we unravel the distinctive characteristics of reverb and delays. From creating lush ambient spaces with reverb to adding rhythmic depth with delays, we’ll explore the individual roles these effects play in shaping your sound.

    ⚖️ Balancing Act: Choosing Between Reverb and Delay

    Delve into the decision-making process of when to opt for reverb and when to choose delay. We’ll share insights into how these effects interact with different instruments and genres, guiding you in making informed choices that elevate your mix.

    The Art of Layering: Using Reverb and Delay Together

    Explore the creative possibilities of using reverb and delay in conjunction to craft a unique sonic landscape. Whether you’re aiming for ethereal textures, expansive soundscapes, or rhythmic complexities, we’ll discuss techniques for layering these effects to achieve your desired sonic palette.

    ️ Mixing Strategies: Applying Reverb and Delay with Finesse

    Gain practical tips and mixing strategies for applying reverb and delay with finesse. From adjusting pre-delay times to shaping the decay characteristics, we’ll share techniques that ensure these effects enhance your mix without overwhelming the sonic balance.

    Case Studies: Real-world Examples

    Embark on a journey through real-world case studies where we dissect popular tracks and analyze how reverb and delay are masterfully employed. Learn from the pros and discover how to apply these insights to your own productions.

    And, as always, brace yourselves for a touch of humor and a sprinkle of nonsense because, in the world of audio engineering, a dash of laughter can make even the most technical discussions entertaining!

    Tune in to this illuminating episode as we demystify the world of reverb and delays, providing you with the knowledge and inspiration to sculpt your sonic landscapes with precision and creativity.

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

  • Discovering the Hidden Gems of the H3000: An Exciting Journey into its Interface and FX!



    Few pieces of studio gear can be called legendary without exaggeration. The Eventide H3000 is one of them. This week on Inside the Recording Studio, Chris and Jody dive headfirst into the history, the design, and the future of what many call the ultimate harmonizer and multi-effects processor.

    First, they rewind the tape: a little history on the H3000 and why it became such a game-changer in the late ’80s and ’90s. From iconic pitch-shifting to lush reverb, chorus, flange, and delay, the H3000 wasn’t just another rack unit—it was a revolution. Major producers and artists adopted it quickly, making its sound part of the DNA of countless hit records.

    Chris and Jody then shift focus to the interface: the quirky yet innovative design, the way engineers learned to navigate presets and parameters, and how those workflows shaped creative decision-making. They’ll share how the H3000 stacks up against modern plugins and what makes it still inspiring to this day.

    Of course, the conversation wouldn’t be complete without a look toward the future. Eventide continues to update its legacy through plugin recreations and digital hardware. How faithful are these emulations? Do they capture the soul of the original box—or do they introduce hidden features in studio gear that go beyond the hardware?

    You’ll also hear how Chris and Jody personally use H3000-style effects in their mixes, plus their take on whether you should invest in hardware, software, or a hybrid approach for your home studio gear setup. Along the way, expect humor, anecdotes, and their signature balance of expertise and entertainment.

    If you’ve ever wondered why the H3000 is still considered the “crown jewel” of rack FX—or how to incorporate that magic into your own productions—this episode is for you.

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

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