• What Makes The Fairchild Compressor So Legendary In Pro Audio?



    The Fairchild Files: Unpacking the World’s Most Coveted Compressor

    This week, Chris & Jody wind the time machine back and dial in on the Fairchild compressor—the audio hardware unicorn with a legacy as golden as its tone.

    From Abbey Road to iconic soul records, the Fairchild has shaped how we hear vocals, drums, and mixes for decades. But what is it that makes this classic tube beast so desirable? In this episode, the guys break down the origins, functions, quirks, and modern-day clones of the original Fairchild. Who built it? Why does it sound like buttered magic? And why do people still obsess over it?

    You’ll get deep insight into where the Fairchild shines (think: vocals, bass, and bus glue) and how it compares to modern compressors in today’s home studio gear landscape. Whether you’ve drooled over one in a plugin or dreamed of turning real tubes, this is your guided tour of compression royalty—with a few laughs and some Friday Finds to sweeten the signal chain.

    No gate. Just warmth, clarity, and a little bit of Chris & Jody’s signature nonsense.

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

  • Pro Audio Secrets from Mastering Legend George Leger III



    Celebrating 1 Year with George Leger III: Stories, Secrets & Studio Gold

    To mark their first anniversary, Chris & Jody pull out all the stops with a special guest: the one and only George Leger III—a mastering and recording engineer whose fingerprints are all over music you’ve definitely heard (even if you didn’t know it). From Frank Zappa to Barry Manilow, George’s career has twisted through unexpected genres and unforgettable moments, and this week, he spills the sonic tea.

    Get an inside look at how George got his start, the gear he swears by, the curveballs he’s mastered (pun intended), and the lessons that stuck with him over decades in the studio. Whether you’re a home studio tinkerer, an aspiring pro, or just someone fascinated by the people behind the mix, this episode is pure gold.

    Plus: a triple dose of Friday Finds with an extra voice in the mix. Expect laughs, legends, and the kind of insights you only get from years behind the console.

    And yes… it’s also not unlikely that some nonsense will be discussed.

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

  • The Pultec EQ: Deep Dive of Tube-Era Tone, Timeless Technique

     

     

    Pulse Techniques and Polished Tone: The Pultec EQ Deep Dive

    This week on Inside the Recording Studio, Chris and Jody dig into one of the most iconic tools in recording history: the Pultec EQ. From its humble tube-powered beginnings under the name Pulse Techniques (not “Pulse Technologies” — right, Chris?) to its modern-day plugin emulations, this episode is a crash course in silky curves, low-end magic, and why the Pultec still matters in a digital world.

    You’ll learn about the different models and software versions, how to use that famous simultaneous boost/cut trick, and where this EQ shines in real-world mixes — from vocals to bass to mastering chains.

    Whether you’ve got a boutique hardware unit or a plugin from Waves, UAD, or Softube, this episode will help you better understand what the Pultec does, how it shapes tone, and how to stop just “adding it for color” without knowing why.

    Plus: Friday Finds delivers two new tools you’ll want to check out, and if you’re listening closely, the Gold Star wordmakes its cameo — your ticket to insider status.

    Of course, some nonsense may occur. But would it even be Inside the Recording Studio without it?

    Shoutout: Neil deGrasse Tyson

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

  • Valuable Fundamentals Regarding Emulation EQs and Digital EQs



    EQ Emulations vs. Digital EQ: What’s the Real Difference?

    This week on Inside the Recording Studio, Chris and Jody take a deep dive into the nuanced world of EQs — comparing analog-modeled EQ emulations with clean digital EQs and unpacking the truth behind what makes each of them tick.

    What are EQ emulations actually doing under the hood? Who’s making the best ones? Why do some swear by analog warmth while others chase surgical precision? The duo lays out their own preferences, what they use in their daily mixes, and where emulations shine (or fall short) compared to modern digital EQs.

    Then, they hop onto the digital EQ bandwagon — zero latency, transparency, and the perks of going non-emulated. Whether you’re wondering if you really need that vintage-modeled Neve or if a good clean EQ will get the job done, this episode brings clarity, pros/cons, and a few punchy opinions.

    Plus, don’t miss this week’s Friday Finds, where Chris and Jody share a couple of tools that could level up your mix game immediately. And yes — there’s even a new surprise waiting if you hang around until the end.

    Naturally, a dash of nonsense is part of the charm.

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

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