• What Makes The Fairchild Compressor So Legendary In Pro Audio?



    The Fairchild Files: Unpacking the World’s Most Coveted Compressor

    This week, Chris & Jody wind the time machine back and dial in on the Fairchild compressor—the audio hardware unicorn with a legacy as golden as its tone.

    From Abbey Road to iconic soul records, the Fairchild has shaped how we hear vocals, drums, and mixes for decades. But what is it that makes this classic tube beast so desirable? In this episode, the guys break down the origins, functions, quirks, and modern-day clones of the original Fairchild. Who built it? Why does it sound like buttered magic? And why do people still obsess over it?

    You’ll get deep insight into where the Fairchild shines (think: vocals, bass, and bus glue) and how it compares to modern compressors in today’s home studio gear landscape. Whether you’ve drooled over one in a plugin or dreamed of turning real tubes, this is your guided tour of compression royalty—with a few laughs and some Friday Finds to sweeten the signal chain.

    No gate. Just warmth, clarity, and a little bit of Chris & Jody’s signature nonsense.

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

  • The LA-2A: Deep Dive into Tube Tone and Timeless Control



    Level Up: Exploring the Iconic LA-2A Compressor

    This week on Inside the Recording Studio, Chris and Jody shine the spotlight on one of the most legendary compressors in recording history: the LA-2A Leveling Amplifier.

    From its tube-driven roots to its plugin-powered modern incarnations, the LA-2A has shaped countless vocals, basslines, and mixes. But what makes it so beloved? And how can you best use it in your own workflow?

    Chris and Jody walk through a quick history of the LA-2A — from the original Teletronix units to modern versions by Universal Audio, Waves, and others. They break down its simple two-knob interface, explain how the optical compression circuit works, and share how they use it in both hardware and software form.

    Whether you’re wondering if you should use one on vocals, bass, or a full mix bus — or you’re just trying to decide if the plugin emulation is worth it — this episode delivers practical guidance for home studio users and pros alike.

    Plus, of course, a dash of signature Chris & Jody nonsense. Because what’s a classic compressor without a few side jokes?

    And if you’re keeping score at home, the Logic emulation is called ‘Vintage Opto’.

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

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