• Master the Low End: Exciting Tips for Perfectly EQ’d Bass!



    Dialing in the Low End: EQ Secrets for a Better Bass Mix

    When it comes to crafting a solid, powerful mix, few things are more important—or more misunderstood—than EQ’ing your bass tracks. It’s the heartbeat of your production, and getting it wrong can sink an otherwise great song.

    In this episode of Inside the Recording Studio, Chris and Jody grab their sonic shovels and start digging deep into the frequency trenches of the electric bass. Whether you’re a producer, engineer, musician, or bedroom mix wizard, this episode is packed with tips and tricks to help you sculpt the bass sound you’ve been chasing.

    What’s Inside This Episode:

    Breaking down the frequency zones. From the sub frequencies that shake the room to the low mids that can muddy the mix—and even the elusive “air” frequencies—Chris and Jody walk you through the entire EQ landscape.

    When to cut, when to boost, and why. Not every bass track needs the same treatment. You’ll learn how to spot the problem areas and when to tighten things up or let them breathe.

    How your bass interacts with the rest of your mix. EQ is not a solo mission—it’s about making your bass play nice with drums, guitars, vocals, and everything else.

    Plus: Don’t miss the signature segment, Friday Finds, where they share new gear, tools, or resources worth checking out. And of course, expect a sprinkle of nonsense to keep things fun.

    So if you’ve ever asked yourself, “Why does my bass sound muddy, flabby, or lost in the mix?”—this episode is your roadmap to clarity.

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

  • Unlock the Secrets of Low End with These Expert Tips and Tricks!



    Chris and Jody get down to the nitty gritty basement of low end. Talking about how to manage low end and get a handle on it. From the scientific things about your room and setup on to the creative end of things. Including monitors, software and bass specific plugins that can help. Let’s get low!

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    Gear We Used:

    Jody’s Mic & Voice Chain:  Telefunken C12 – Apollo – UA Neve 1073 – UA LA2 – UA Studer A800

    Jody’s Channel Strip: iZotope RX 8 Spectral DeNoise – iZotope RX 8 Mouth DeClick – UA Neve 1073 – UA LA2 – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apogee Duet – iZotope RX 7 Spectral DeNoise – Slate VMR (FG12 – FG76 – API EQ – SSL 4kE)

    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX 8 Spectral DeNoise – iZotope RX 8 Mouth DeClick – UA Neve 1073 – UA LA2 – UA 1176E

    Master: Soothe 2 – iZotope  Ozone 9 Imager – iZotope Ozone 9 Maximize

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    If you want to collaborate, sponsor a podcast or want us to review your product – contact us at – collaborate@insidetherecordingstudio.com

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  • New EQ Technique for Electric Bass: How to Boost and Cut with your Ears!



    Chris and Jody dive into the world of EQ for your electric bass tracks. We walk thru the various areas of the audio spectrum. The sub, the fundamental low, the low mids, the upper mids and air. Plus we offer up various thoughts on each area on cutting or boosting and why. Don’t forget our Friday Finds and… It’s also not unlikely that there will be some nonsense discussed.

  • EQ Trick: How To Separate Elements In Your Mix With EQ

    In this Tuesday tip Jody walks you thru the simple concept of separation between kick and bass in a mix. Using the elementary function of EQ and listening for where each instrument should get prominence in a mix.


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