• MainStage Secrets: Hidden Features in Studio Gear You Need to Know



    Apple’s MainStage is more than a shiny logo—it’s a performance powerhouse. In this episode, Chris & Jody break down why MainStage is the unsung hero of live rigs and home studio gear alike. From navigating its role as a flexible plugin host to uncovering hidden features in studio gear, they cover how this tool streamlines touring setups and enhances recording workflows. You’ll learn which instruments thrive inside MainStage, how to optimize your recording setup tipsto prevent mid-show meltdowns, and why producers are quietly sneaking it into their sessions. Of course, Chris & Jody sprinkle in their signature humor, a few cautionary tales, and wrap it all up with this week’s Friday Finds—gear gems you won’t want to miss. Whether you’re a road warrior, a bedroom producer, or a gear junkie, this episode shows why MainStage may just be your next secret weapon.

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

  • NAMM 2024: Your Front-Row Ticket to the Music Industry’s Most Exciting Event! Get a Sneak Peek at the Latest Gear!



    Chris and Jody, your audio architects, embark on an episode dedicated to the exhilarating experience of the NAMM Show 2024. In this adventure, we’ll provide an insider’s look into the latest gear, groundbreaking technologies, and inspiring innovations unveiled at one of the music industry’s most anticipated events.

    Navigating the Expo Floor: Gear Galore

    Take a stroll with us through the bustling expo floor as we explore the vast array of recording gear, cutting-edge instruments, and groundbreaking technologies showcased at NAMM 2024. From microphones to synthesizers, audio interfaces to mixing consoles, we’ll highlight the gear that’s set to shape the future of audio production.

    Artist Spotlights: Live Performances and Demos

    Immerse yourself in the captivating performances and live demos from talented artists and musicians featured at NAMM 2024. Discover new sounds, innovative techniques, and witness firsthand the artistic possibilities that emerge when top-tier gear meets creative expression.

    Industry Insights: Interviews and Discussions

    Engage with exclusive interviews and discussions with industry experts, renowned producers, and trailblazing engineers present at NAMM 2024. Gain insights into the trends shaping the recording landscape, emerging technologies, and the future of audio production from the professionals leading the way.

    ️ Tech Talk: Unveiling the Latest Innovations

    Uncover the technological marvels and innovations that stole the spotlight at NAMM 2024. From groundbreaking software to revolutionary hardware, we’ll dive into the technical details and explore how these advancements can elevate your recording and production capabilities.

    And, of course, be prepared for some light-hearted banter and a touch of nonsense because, in the world of audio engineering, a sprinkle of humor can make even the most technical discussions entertaining!

    Tune in to this special NAMM Show 2024 episode of Inside the Recording Studio, where we bring the excitement and energy of the event directly to your ears!

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

  • Discovering the Ultimate Audio Magic with the TC2290 Deep Dive



    Few hardware units have reached near-mythical status in the recording world like the TC2290 Digital Delay. In this episode of Inside the Recording Studio, Chris and Jody strap in for a deep dive into the TC2290—a piece of gear that not only redefined delay but also raised the bar for what a digital effects unit could do.

    They begin with the history: how the TC2290 emerged in the mid-1980s and quickly earned its place in studios and on stages for its pristine sound, flexibility, and forward-thinking design. It wasn’t just another delay—it was a modular powerhouse, capable of everything from subtle repeats to lush, multi-layered soundscapes.

    Chris and Jody then turn to the interface and modules. They explore how its iconic rack-mounted design and front-panel layout gave engineers incredible control. From modulation sections to routing options, the TC2290 provided features that were ahead of its time and are still revered today. They’ll break down what each module does, why it matters, and how it all comes together to form one of the most incredible-sounding hardware delays ever made.

    You’ll also get insight into how the TC2290 compares to modern plugins and other digital emulations. Do today’s tools capture its essence? Or is there something about the hardware—its converters, its quirks, its workflow—that can’t quite be replicated?

    As always, Chris and Jody bring a balance of technical expertise and real-world perspective. Expect actionable recording setup tips, stories about how they’ve used delay in their own productions, and a few laughs about the quirks of working with vintage gear.

    If you’re curious about why the TC2290 still holds such weight in pro audio circles—or if you just love geeking out about hidden features in studio gear—this episode is your front-row seat to the legend.

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

  • Time to Level Up Your Sound: How to Know When it’s Time for an Audio Interface Upgrade!



    Your audio interface is the beating heart of your recording setup. It’s the bridge between your ideas and the outside world. But how do you know when it’s time to move on from your trusty box of converters and preamps? In this episode of Inside the Recording Studio, Chris and Jody dive deep into the dos and don’ts of upgrading your audio interface.

    They start with the practical signs: crackling noises, limited input options, driver instability, or simply realizing your current interface is holding back the potential of your mixes. From there, they expand into the creative benefits of upgrading—better converters, more reliable latency, improved headphone amps, and the kind of clarity that makes vocals and instruments sit more naturally in the mix.

    But upgrading isn’t just about throwing money at shiny new gear. Chris and Jody stress the importance of identifying what you actually need. Do you need more channels for recording a live band? Higher sample rates for orchestral work? Or just a cleaner, simpler workflow for podcasting and production? They’ll also cover the common traps—when upgrading is unnecessary, when it’s better to optimize your workflow first, and when the problem isn’t the interface but your room acoustics, gain staging, or even user error.

    Along the way, you’ll hear practical recording setup tips and even some audio interface troubleshooting tricks that might save you from upgrading too soon. And, true to form, there’s humor and storytelling sprinkled throughout, because no Inside the Recording Studio episode is complete without a bit of nonsense.

    Whether you’re working with budget home studio gear or eyeing a flagship unit, this episode gives you clarity on when to make the leap—and when to hold tight to what you’ve got.

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

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