Corrective EQ vs Sweetening EQ: What’s the Difference and Why It Matters
In this episode of Inside the Recording Studio, Chris and Jody dive headfirst into the often-blurred line between corrective EQ and sweetening EQ — and why understanding the difference can elevate your mixes from passable to polished.
Corrective EQ: What exactly qualifies as “fixing” a sound? From removing muddiness and taming resonances to addressing harsh frequencies, the duo breaks down when and why to use EQ as a surgical tool during the early mix stages.
Sweetening EQ: Once the mix is clean, how do you take it from good to great? Chris and Jody walk through subtle boosts, tonal shaping, and the “sprinkle of fairy dust” approach that sweetening EQ can offer — all while staying musical.
Whether you’re battling room problems, poor mic placement, or just trying to add shimmer to your overheads or glue to your mix bus, this episode explores the process value and decision-making behind each type of EQ move.
Plus, the latest Friday Finds may change your plugin folder for good — and yes, there’s the usual side of light-hearted nonsense along the way.
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Gear we used:
Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.
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If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com