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  • October 25, 2024
    Interview, Microphones

    How Austrian Audio is Redefining Sound – An Exciting Deep Dive



    In this special episode of Inside the Recording Studio, Chris and Jody sit down with Martin Seidl, the driving force behind Austrian Audio. Join us as we dive deep into the rich history of Austrian Audio, from its roots in Vienna to becoming a key player in the pro audio world. Martin shares the fascinating story behind their flagship microphone, the OC818, discussing its innovative features and how it stands out in a crowded market.

    But that’s just the beginning – we also explore Austrian Audio’s range of high-quality microphones, headphones, and their unique approach to capturing sound. Learn about advanced miking techniques and discover how Austrian Audio’s pioneering work in spatial audio is reshaping the way we think about sound.

    Whether you’re an intermediate or advanced audio engineer, this episode offers a rare behind-the-scenes look at cutting-edge audio technology, and will give you practical insights into making the most of Austrian Audio’s tools in your recordings.

    Austrian Audio OC7070

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com


  • October 18, 2024
    Compressors, Guitars

    From Smooth to Punchy: Exciting Techniques for Compressing Electric Guitars!



    In this episode of Inside the Recording Studio, Chris and Jody delve into the art of compressing electric guitars, sharing expert insights on how to get the most out of your compression tools. Whether you’re aiming for tight, punchy tones or smooth, sustained textures, understanding when and how to use compression is crucial for achieving professional-level guitar mixes.

    We cover everything from subtle dynamic control to more aggressive techniques, helping you decide when it’s necessary to apply compression. Explore the nuances of track-based compression versus bus compression, and learn how these approaches can be used to add punch and clarity or glue a mix together. We also discuss our go-to compressors for electric guitars, including iconic models like the 1176 for aggressive, fast-attack control, the LA-2A for smooth, transparent leveling, the Distressor for versatility, and the SSL compressor for adding cohesion on the bus.

    Whether you’re a seasoned engineer or looking to refine your skills, this episode provides practical advice on using these classic tools to sculpt your guitar tones to perfection. We’ll take you through real-world examples, showing how different compressors can shape the sound of electric guitars and when each tool shines the brightest.

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    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

    ******************************

    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com


  • October 11, 2024
    Drums

    Unlock the Secret to Punchy Drums: Master Dual Drum Busses



    In this episode of Inside the Recording Studio, Chris and Jody dive into a powerful mixing technique for drums—setting up two separate drum busses to take your drum mix to the next level. Specifically, we’ll cover how to use one bus for shell-style drums (kick, snare, toms) and a second bus for metal-style drums (hi-hats, ride, cymbals).

    If you’ve ever struggled to get clarity and punch from your drum recordings, this episode is for you. We’ll break down:

    • Why Two Drum Busses?: Discover the benefits of splitting your drum kit into two busses—how it allows for greater control over the dynamics, EQ, and processing of the different types of drums, from heavy, punchy kicks to shimmering cymbals.
    • Setting Up the Shell Drum Bus: Learn how to treat your shell-style drums (kick, snare, toms) as a unified group, from EQ and compression settings to how much low-end punch and midrange power to dial in.
    • Processing the Metal Drum Bus: We’ll guide you through processing your hi-hats, rides, and cymbals separately, emphasizing top-end sheen, clarity, and space without overwhelming the mix.
    • Balancing the Two Busses: Once both busses are dialed in, we’ll discuss how to balance them for maximum impact in your mix, ensuring that your drums sit perfectly in your track without competing frequencies.
    • Advanced Techniques: Explore creative options like parallel compression and reverb settings that are bus-specific, enhancing the separation and power of your drum elements.

    Whether you’re working on a dense rock mix or a more spacious, dynamic track, this episode will help you achieve a clean, balanced, and powerful drum sound. Tune in now to Inside the Recording Studio and revolutionize how you mix drums!

    ******************************

    Gear we used:
    Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
    Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
    Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

    Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

    ******************************

    If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com


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