Dolby Atmos Mixing: Redefining the Studio Soundstage
Once reserved for blockbuster cinemas, Dolby Atmos is now rewriting the rulebook for how we create and experience music. In this episode, Chris & Jody unpack what mixing in Atmos really means for the modern producer — from recording setup tips and home studio gear requirements to the creative freedom of 3D sound.
They’ll walk you through the tech (yes, it’s more than just panning in space), explain what makes it different from stereo, and debate whether it’s the real future of mixing or just another passing phase. You’ll hear how immersive sound is reshaping everything from headphone design to distribution platforms like Apple Music, Amazon, and TIDAL—and how even indie creators can start experimenting with spatial audio without dropping Hollywood-level cash.
With sharp insight, a dose of humor, and those signature Friday Finds, this episode gives you the full picture: the hype, the workflow, the roadblocks, and the genuine creative potential of Atmos mixing in the real world.
Whether you’re a gearhead, a mixer looking to upgrade, or just curious about where music production is headed next—this is essential listening.
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Gear we used:
Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.
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If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com