New to synths, or struggling to understand how they work? Fear not. In this video, Chris walks you through the three basic components of subtractive synthesis: The Oscillator, Filter and Amp Envelope.
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Gear Chris used:
Chris’ Mic & Voice Chain: Slate ML1 – Apogee Duet – Slate VMR (FG12, FG73, SSL 4kE, API Eq, FG2A) – iZotope RX 9 Spectral DeNoise – Oek Sound Soothe 2
Master: iZotope Ozone 9 Maximize.
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If you want to collaborate, sponsor a podcast, donate or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com
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Chris and Jody ring in 2021 with talking about the elements that make up the anatomy of a synth. The pieces parts so to speak from a signal flow concept. Think of it as an overview of the beginning to understanding synthesis. They also kick off the year with their first Friday Find – what will it be? Plus learn what this week’s Goldstar word is – will you win? It is also not unlikely that some nonsense will be discuss as well.
Shoutout to: Dan Worrall
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Gear we used:
Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.
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If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com
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In this video, Chris shows how you can use delay to create a guitar part, in the style of U2 or Angels & Airwaves. A simple, yet effective way to add interest to any simple part, on any instrument. Just make sure that your playing is in time…
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Gear Chris used:
Chris’ Mic & Voice Chain: Slate ML1 – Apogee Duet – Slate VMR (FG12, FG73, SSL 4kE, API Eq, FG2A) – iZotope RX 9 Spectral DeNoise – Oek Sound Soothe 2
Master: iZotope Ozone 9 Maximize.
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If you want to collaborate, sponsor a podcast, donate or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com
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Chris and Jody take on the mighty world of the Delay. Giving a broad overview the history, types, and uses. Think of it as a gentle swim in the shallow end of the pool of getting to know how delay came about, where’s it at, and whetting your appetite for future deep dives into specific delay units in the future. It’s also not unlikely that there will be some nonsense discussed. ** The irony of it not posting at its original time is not lost on us. Imagine, an episode about delay that got delayed.
If you hang until the end you’ll find out the Goldstar word for the week, and also be privy to the Friday Finds of the week.
Shoutout: John Lennon, Pink Floyd, Oil Can Delay
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Gear we used:
Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.
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If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com
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