MusicTech – Inside The Recording Studio

Moving the Faders: How Track and Region-Based Automation Can Transform Your Mixes

Automation: it’s not just a buzzword—it’s the secret sauce behind some of the most immersive mixes you’ve ever heard.

In this week’s episode of Inside the Recording Studio, Chris and Jody dive deep into the power of track and region-based automation, showing you how to breathe life, movement, and personality into your productions—without lifting a finger (well, maybe just a fader or two).

From subtle volume swells to dramatic panning shifts and time-based effect tweaks, automation allows you to sculpt emotion into your audio with pinpoint precision. Whether you’re building energy in a chorus, taming an unruly synth, or automating plugin parameters like reverb, EQ, or delay for added dimension, this episode is packed with practical tipsand creative workflows you can start using today.

You’ll learn:

The difference between track-based and region-based automation—and when to use which
How to control volume, panning, FX, and plugin settings for dynamic impact
Creative automation tricks for space, clarity, and vibe
Real-world examples of automation bringing a mix to life

As always, expect a little studio banter, a dash of nonsense, and this week’s Friday Finds—because great gear and clever tips go hand in hand.

So whether you’re mixing in a pro studio or your bedroom setup, this episode will help you take full control of your sonic universe.

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Gear we used:
Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com

Unlock the Power of Parallel Compression: Tips, Tricks, and Scheps Secrets

Ready to add some serious punch and polish to your mixes? In this episode of Inside the Recording Studio, we dive deep into parallel compression—aka “New York Style Compression”—and how it can take your tracks from flat to fabulous.

First, we’ll break down the basics: what is parallel compression, and why has it become a go-to secret weapon for engineers everywhere? We’ll explore two popular methods to achieve it, from classic aux sends to modern plugin magic. Learn why blending a heavily compressed signal with your original track creates that larger-than-life sound, and discover the sweet spots for your compression settings.

But we’re not stopping there. We’ll shine the spotlight on Andrew Scheps’ legendary “Rear Bus Compression” technique—what it is, how it works, and why it might just be the missing link in your mix. Whether you’re chasing fat drums, thick vocals, or a cohesive mix that slaps, this episode has the goods.

Expect practical tips, a few laughs, and plenty of insight to level up your mixing game. Let’s get compressed, baby!

From Static to Dynamic: Elevate Your Mix with Expert Automation Techniques!

Transform Your Mixes with New York Style Compression Techniques!