This week Chris and Jody dive into the how’s, why’s, and when’s for using recording & writing templates. A little history of templates in DAWs and what to put in such a template, based on your workflow. It’s also not unlikely that there will be some nonsense discussed. Plus what did Chris and Jody discover this week for your recording pleasure. It’s all right here, it’s all right now.
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Gear we used:
Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.
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If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com
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In this video, Chris shows how he deals with compression on the master bus. Not to maximize loudness, but to add to the sound, and still leave plenty of headroom for the mastering stage.
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Gear Chris used:
Chris’ Mic & Voice Chain: Slate ML1 – Apogee Duet – Slate VMR (FG12, FG73, SSL 4kE, API Eq, FG2A) – iZotope RX 9 Spectral DeNoise – Oek Sound Soothe 2
Master: iZotope Ozone 9 Maximize.
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If you want to collaborate, sponsor a podcast, donate or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com
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Chris and Jody tackle the subtle but canyon sized differences between what is mastering and 2-Bus processing. Yes, there is a difference. Sit down, strap in and get ready for the ride of what is mastering (plus a brief little history of it) and what / why things might get used on a 2-Bus during mixing. Find out what Chris and Jody have come across this week for Friday Finds. It’s also not unlikely that there will be some nonsense discussed.
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Gear we used:
Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.
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If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com
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In this Tuesday Tip we give a quick explanation as to what mic proximity effect is and how to use it to your advantage in a studio situation when you have limited mics for a vocalist.
Mic used in this example: Groove Tubes MD1a.
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Gear Jody used:
Jody’s Mic & Voice Chain: Telefunken C12 – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize
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If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com
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