Chris and Jody unfold the murky waters of Mid-Side EQ. Talking about where concept stems from and what is different about now in the modern DAW world. We explain the nuts and bolts of how it works in stereo. Why we might want to use Mid Side EQ and some possible pitfalls from using it. We even talk about some of our favorite plugins to use for EQing Mid Side situations. It’s also not unlikely that there will be some nonsense discussed.
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Gear we used:
Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.
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If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com
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In this episode of Inside the Recording Studio, we explore the often-overlooked but crucial aspect of file management and delivery methods in the world of audio production. Join hosts Chris and Jody as they demystify the process of organizing your audio files and choosing the most effective method to deliver them to clients.
Discover the essential principles of file organization, including naming conventions, folder structures, and metadata tagging, to ensure your projects remain organized and easily navigable. Learn how to streamline your workflow and prevent the headache of searching for misplaced files by implementing smart file management practices from the outset.
But that’s just the beginning – we also delve into the various methods of delivering audio files to clients and collaborators. From cloud-based sharing platforms to FTP servers and physical media, we discuss the pros and cons of each delivery method and help you determine which option best suits your project’s needs and your client’s preferences.
Whether you’re a freelance audio engineer or working in a professional studio environment, mastering the art of file management and delivery is essential for ensuring smooth collaborations and client satisfaction. Tune in now to Inside the Recording Studio and gain valuable insights into optimizing your file management workflow and delivering audio files with confidence!
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Gear we used:
Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.
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If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com
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Chris and Jody involve the incredible Reuben Cohen in an amazing interview. We trek thru his early beginnings and dive into multiple stories. The eye on the prize about being a mastering engineer. How he started out building a business and mastering some of the biggest songs in the last decade. What gear can he not live without. Plus what did he have to do with Metallica, Pharrell, Distinto, and movie soundtracks? Don’t forget our Friday Finds. It’s all here. It’s also not unlikely that there will be some nonsense discussed.
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Gear we used:
Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.
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If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com
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Chris and Jody jump into the pool of the Bricasti M7. A deep dive into one of the most iconic modern reverb units in music recording history. They tackle the history and timing of the M7; like who made it and where they came from. Plus do their abnormal review of the controls that make the unit work, and discuss some of the favorite uses of the M7 reverb. It’s also not unlikely that there will be some nonsense discussed.
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Gear we used:
Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.
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If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com
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