Inside the Recording Studio - Tips to improve your recording

July 24, 2026

Compressors, Workflow

Recording Setup Tips for Better Side Chaining

Everyone talks about side chaining like it’s some secret club. Good news. There isn’t a password.

This week Chris and Jody tackle one of the most talked about mixing techniques in music production and prove it isn’t nearly as scary as the internet sometimes makes it sound. Side chaining can make a muddy mix breathe, help your kick and bass stop fighting, and even add movement that makes a track feel more alive. Once you understand it, you’ll probably wonder why you waited so long.

The fun begins with a simple explanation of what side chaining actually does. No confusing textbook definitions. No impossible engineering vocabulary. Just a straightforward conversation about how one signal can control another and why that matters when you’re trying to build a better mix.

Then the practical part begins. Chris and Jody explain how to set up side chaining in a DAW so you can start experimenting immediately. They don’t stop there either. If you’re working with an MPC Live, they also cover how the same concepts translate into hardware so you’re not limited to one production environment.

Along the way they share creative ways to use side chaining beyond the obvious kick and bass trick. Want a cleaner vocal mix? Looking for synth parts that pulse with the groove? Trying to make crowded arrangements feel less crowded? You’ll come away with several ideas that you can try on your own projects without needing a complicated setup.

Naturally, no episode would be complete without Chris and Jody bouncing jokes back and forth while explaining the serious stuff. Their signature banter keeps the conversation light even while covering important recording setup tips. They also point out several common mistakes that producers make when learning side chaining so you can skip the frustration and get better results faster.

And because no Inside the Recording Studio episode is complete without a little randomness, they also deliver the promised nonsense at absolutely no extra charge. It wouldn’t feel right otherwise.

The episode closes with another round of Friday Finds, giving you another chance to discover something interesting that might become part of your own recording workflow.

Whether you’re brand new to compression, trying to understand why side chaining is everywhere, or simply looking for fresh music production ideas, this conversation gives you practical techniques instead of complicated theory. Everything is presented in a way that’s easy to understand and immediately useful.

Hit subscribe to Inside the Recording Studio and come back next week for more practical recording knowledge, useful studio tips, and whatever unexpected nonsense Chris and Jody decide to include.

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Gear we used:
Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com
July 17, 2026

Workflow

Reference Tracks That Make Every Mix Better

Think your latest mix is perfect?

Cool.

Now compare it to a commercial release.

That’s exactly what Chris and Jody tackle in this week’s episode of Inside the Recording Studio, where they explain why reference mixes are one of the best reality checks available to anyone making music. Spoiler alert: using reference tracks isn’t cheating. It’s something professionals do every day because ears get tired, perspective disappears, and confidence has a funny way of turning into overconfidence.

During the episode, Chris and Jody break down how to pick reference tracks that actually help instead of sending you down endless rabbit holes. The goal isn’t to clone someone else’s sound. It’s to understand how your own mix stacks up in the areas that matter most.

They explain what you should actually be listening for when making comparisons. Sure, EQ matters, but that’s only part of the picture. Balance, dynamics, clarity, depth, and overall presentation all deserve attention if you want mixes that translate outside your studio.

The discussion also covers recording setup tips for building reference listening into your workflow without turning every session into an endless cycle of second-guessing. A few smart habits can help you make faster decisions while keeping your creativity intact.

Chris and Jody also highlight plugins that make reference monitoring simpler and more efficient. Having dedicated tools can remove unnecessary friction so you spend less time wondering whether your mix is headed in the right direction and more time actually finishing it.

Whether your home studio gear consists of a bedroom setup or something considerably larger, these ideas apply to every mixing environment. Better decisions don’t come from buying more equipment. They come from listening with purpose.

Naturally, the technical discussion comes with the usual Chris and Jody personality, complete with a little nonsense to keep things entertaining before this week’s Friday Finds make another appearance.

If you’ve been wondering why your mixes sometimes sound amazing in your room but different everywhere else, this conversation may be exactly the perspective you’ve been missing.

Hit subscribe, keep your favorite reference tracks nearby, and come back next week for more practical recording setup tips that help you mix with greater confidence.

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Gear we used:
Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com
July 10, 2026

Workflow

Recording Skills: Why Rules Help Beginners Mix Better

The phrase “There are no rules, just use your ears” sounds freeing for recording skills, until it leaves you with no map, no clues, and a mix that quietly hates you.

This week on Inside the Recording Studio, Chris & Jody take aim at one of the most repeated lines in music productionadvice: “There are no rules.” It gets tossed around in forums, videos, and studio chats like it solves everything. But for beginners trying to build real recording skills, that phrase can do more harm than good.

Because yes, your ears matter. Of course they do. But your ears work better when your brain knows what it is listening for.

Chris & Jody break down why rules are not the enemy of creativity. In fact, basic recording rules can be the thing that helps creativity move faster. When you understand ideas like gain staging, monitoring, and audio interface troubleshooting, you are not boxing yourself in. You are giving yourself a better shot at making choices that actually work.

This episode is for the newcomer who has been told to “just trust your ears” but still has no idea why their track is clipping, why their playback sounds weird, or why their recording setup feels like it was assembled by a sleep-deprived raccoon. It is also for the DIY producer who has enough experience to know that guessing is not a workflow.

In classic Chris & Jody fashion, expect a few contrarian hot takes, practical studio talk, and a side order of well-seasoned nonsense. The goal is not to turn recording into a boring rule book. The goal is to show when rules matter, why they matter, and how learning the basics can make your creative choices stronger.

You will hear real-world examples of where foundational principles can save a session, especially when dealing with gain levels, monitoring decisions, and interface issues. You will also get a clearer way to think about that famous phrase: when to trust your ears, and when to know better.

If you have ever felt lost in forums, stuck in your home studio, or tired of advice that sounds cool but does not help, this episode is for you.

Listen now, sharpen your recording skills

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Gear we used:
Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E

Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.

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If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com