In this episode Chris and Jody team up for a deep dive into the world of reference tracks—essential tools for both music production and songwriting emulation.
What exactly are reference tracks, and how can they elevate your creative process? Chris and Jody share their personal approaches to using them, shedding light on how these tracks can inspire production techniques or spark songwriting ideas. They’ll also explore the art of emulation: why borrowing inspiration from your favorite tracks can be a game-changer and how to do it without losing your originality.
But it’s not all smooth sailing—there are pitfalls to avoid when incorporating reference tracks into your workflow. Whether it’s over-reliance or misaligned expectations, Chris and Jody offer practical advice on what to avoid and where these tracks best fit into your process.
With expert insights, subtle humor, and actionable tips, this episode is a must-listen for anyone looking to fine-tune their creative workflow. Tune in to get inspired and make reference tracks work for you!
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Gear we used:
Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.
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If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com
This week on Inside the Recording Studio, Chris and Jody break down the game-changing concept of using reference mixes to guide your mixing process. Why is referencing so essential? Whether you’re a beginner trying to get your bearings or a seasoned engineer fine-tuning your sound, reference tracks can act as a compass for creating professional, polished mixes.
Join the discussion as Chris and Jody share how they incorporate reference mixes into their workflow, offering practical tips to keep your ears sharp and your mixes consistent. Discover their favorite tools and plugins that make referencing seamless in any DAW—plus, a few recommendations that might surprise you.
Of course, it wouldn’t be an Inside the Recording Studio episode without a bit of humor and nonsense along the way. And don’t miss the big reveal in this week’s ‘Friday Finds’—you never know what gem might pop up!
Tune in for expert insights with a sprinkle of fun, and take your mixing skills to the next level.
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Gear we used:
Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.
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If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com
Unlock the Power of Parallel Compression: Tips, Tricks, and Scheps Secrets
Ready to add some serious punch and polish to your mixes? In this episode of Inside the Recording Studio, we dive deep into parallel compression—aka “New York Style Compression”—and how it can take your tracks from flat to fabulous.
First, we’ll break down the basics: what is parallel compression, and why has it become a go-to secret weapon for engineers everywhere? We’ll explore two popular methods to achieve it, from classic aux sends to modern plugin magic. Learn why blending a heavily compressed signal with your original track creates that larger-than-life sound, and discover the sweet spots for your compression settings.
But we’re not stopping there. We’ll shine the spotlight on Andrew Scheps’ legendary “Rear Bus Compression” technique—what it is, how it works, and why it might just be the missing link in your mix. Whether you’re chasing fat drums, thick vocals, or a cohesive mix that slaps, this episode has the goods.
Expect practical tips, a few laughs, and plenty of insight to level up your mixing game. Let’s get compressed, baby!
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Gear we used:
Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.
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If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com
Chris and Jody are back with a listener-inspired episode, diving into the art of time management and effective studio scheduling. Whether you’re juggling multiple sessions or trying to fill gaps in your calendar, they’ve got you covered. Learn how to maintain a steady workflow without burning out, avoid the dreaded scramble for new projects, and strike the perfect balance between productivity and downtime.
In this episode, they’ll share practical tips for tracking your studio time to better estimate session durations and calculate fair rates for your work. Plus, expect a dash of humor and relatable anecdotes as they reflect on their own scheduling wins (and missteps). It’s a must-listen for anyone looking to optimize their studio game while keeping things fun and stress-free.
And don’t miss their signature banter—it’s as entertaining as it is informative!
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Gear we used:
Jody’s Mic & Voice Chain: Telefunken C12 – Groove Tubes Vipre – Apollo – UA Neve 1073 – UA LA2A – UA Studer A800
Jody’s Channel Strip: iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Chris’ Mic & Voice Chain: Slate ML1 – Apollo – UA – Slate VMR (FG12, FG73, API Eq, SSL 4kE) – iZotope RX Voice – DeNoise
Chris’ Channel Strip: Eventide Precision Time Align – iZotope RX Spectral DeNoise – iZotope RX Mouth DeClick – UA Neve 1073 – UA LA2A – UA 1176E
Master: Oek Sound Soothe 2 – iZotope Ozone Imager – iZotope Ozone Maximize.
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If you want to collaborate, sponsor a podcast, donate, or want us to review your product – contact us at: collaborate@insidetherecordingstudio.com